Friday, March 22 / 8:30 pm / Ottawa Art Gallery
Program: Our Grandmother the Inlet, Evil Does Not Exist
Feature presentation \
Evil Does Not Exist
Aku Wa Sonzai Shinai
2023 / 106 minutes / Japan
Director: Ryüsuke Hamaguchi
Writers: Ryüsuke Hamaguchi, Eiko Ishibashi
Language: Japanese
Subtitles: English
environmentalism \ greed \ wonder
From the internationally acclaimed, Oscar-winning director of Drive My Car, Ryûsuke Hamaguchi, comes this poetic, captivating, and haunting slow-burn drama about a proposed commercial development in an unspoiled region of Japan. Takumi and his daughter Hana live near a pristine forested area that has remained untouched by modernity. That is until a pair of agents come to Takumi’s village to propose the building of a “glamping” site, a resort for wealthy urban vacationers. During the public presentation to the community, many critique the project, but the agents make it clear the decision is a foregone conclusion. Seemingly set up as an environmental ‘us vs them’ drama of resistance, Hamaguchi’s startling, original storytelling soon shifts its perspective to those of the agents, whose own inner conflicts and struggles with this project are examined when they return to the city. It is a fascinating, elliptical narrative that illuminates how thoughts and actions can be altered, how imperatives can be transformed, and how time itself affects consciousness and conscience. Mysterious and haunting.
- Tom McSorley
PRESS
Evil Does Not Exist review - Ryu Hamaguchi's enigmatic eco-parable eschews easy explanation
AWARDS
London Film Festival, 2023, Official Competition, Best Film
Venice Film Festival, 2023, Silver Lion, Grand Jury Prize, FIPRESCI Prize, Premio Fondazione Fai Persona Lavoro Ambiente Award, Ca' Foscari Young Jury Award
Kerala International Film Festival, 2023, Golden Crow Pheasant
Asia Pacific Screen Awards, 2023, Jury Grand Prize
Short film \
Our Grandmother the Inlet
2023 / 9 minutes / British Columbia
Director: Jaime Leigh Gianopoulos, Kayah George
Language: English
A young Tsleil-Waututh woman reflects on her relationship to water, culture, and land as kin and relatives.
Our Grandmother the Inlet uses a hybrid documentary format to chart the lineage of the George family, as well as their ongoing fight against the impacts of industrialization, which threaten both the land itself and their people’s connection to it and their culture.